During the 1990s, as AIDS continued to affect communities, American theatre became a powerful tool to talk about illness and its impact on communities. Some musicals, like Rent and Angels in America, helped inform and raise awareness among the public about what the AIDS epidemic was like. These shows didn’t just mention disease but told stories of love, loss, and strength. The musicals showed characters with AIDS as real people, helping break down fear and stigma around illness. Rent and Angels in America encouraged audiences to care more, act, and push for better healthcare and support. These performances helped create memories that were connected to the past for those who didn’t live in the early years of the epidemic. These musicals showed that theatre wasn’t just entertainment, it was a way to raise awareness and inspire change.
Jonathan Larson’s musical Rent was used as a powerful tool to address ongoing social issues. Rent was also used to educate communities about the effects of AIDS and other illnesses on the public. One way they did this was by making humanizing characters with diseases and giving them a voice. Characters such as Mimi, Roger, Tom, and Angel are examples of such characters. These characters weren’t judged for their illness; they were artists, lovers, and friends. Rent used these characters to break down stereotypes and fear surrounding illnesses. The musical helps people understand community, chosen family, showing up for support, and overcoming hardships. Anthony Rapp, one of the cast members, reflects, “Rent was about celebrating life in the face of death.” (Pacheco, Patrick. “Life, Death and ‘Rent.” Los Angeles Times, 14 Apr. 1996) https://www.latimes.com/archives/la-xpm-1996-04-14-ca-58265-story.html Through music, emotions, and storytelling, Rent gave a voice to ignored communities and helped influence public understanding of AIDS by making it more personal and real.
The musical Rent, by Jonathan Larson, had a profound impact on how young people in New York City struggled with poverty, housing issues, and the pursuit of their dreams. The musical Rent portrays characters who are unable to pay rent, yet still care for others and remain hopeful. Many of their challenges, such as money, unstable housing, and working multiple jobs to stay afloat, relate to how many people feel today. According to writer Ben Brantley, Rent captured “a generation’s anxiety about survival and purpose” during the 1990s. (Brantley, Ben. “Rent: The Awakening of a Generation.” The New York Times, 30 Jan. 1996.) Ben Brantley explains that Rent wasn’t just about illness; it was about fighting to hold onto identity, creativity, and forming a community. Through their songs, they show how friendship and chosen family can help people through financial stress and uncertainty. This musical focuses on survival, hope, and self-expression and shows how Rent continues to connect audiences with different backgrounds.
Musical theatre also helped play an important role in representing the LGBTQ+ community. At the time, many shows did not include or outright avoided these topics, but Rent included gay, lesbian, and transgender characters as part of everyday life. Rent didn’t portray stereotypes, but rather depicted people who were friends, artists, and individuals living their lives. This helped audiences see the LGBTQ+ community with more understanding and care. As this article explains, Rent stood out because it showed “The normalcy with the musical approaches LGBTQ+ characters and giving them space to be fully human.” (Payne, Allison. “Rent: Humanizing the LGBTQ+ Community.” Hidden Heritage Collections, 2020) By doing this, Rent helped break down fear and stigma, making people feel more seen and represented. It added to its message about love, support, and fighting through tough times.
Musicals like Rent and Angels in America help give a voice to communities facing illness, poverty, and discrimination. These shows did more than entertain the people. They helped audiences understand AIDS and the daily struggles people faced. In Rent, Jonathan Larson created characters who weren’t defined by their illness but by their love, work, and relationships. This helped break down the fear surrounding people with illnesses and AIDS. It showed people as part of the community and worthy of compassion. As Anothony Rapp explained, “The musical was about celebrating life in the face of death.” (Pacheco, Patrick. “Life, Death and ‘Rent.’” Los Angeles Times, 14 Apr. 1996.) Critics also noted that Rent helps capture the anxiety of a generation trying to survive while valuing things such as creativity and identity. (Brantley, Ben. “Rent: The Awakening of a Generation.” The New York Times, 30 Jan. 1996.) By including LGBTQ+ characters as fully human and everyday people, Rent challenged stereotypes and made audiences more understanding. Together, these musicals help inspire empathy and push for social change by turning stories of hardship into stories of hope.
Tom Kushner’s Angels in America also played a major role in influencing audiences about AIDS and the LGBTQ+ community. Unlike Jonathan Larson’s Rent, which used music and youthful energy, Angels in America was a dramatic play that confronted politics, religion, and identity during the AIDS crisis. It showed characters like Prior Walter, who struggles with illness but also becomes a symbol of resilience. The play highlighted how AIDS was not just a medical issue but a social and political issue. Such as exposing the government’s neglect and prejudice against communities. As scholar David Savran explains, “Angels in America transformed the AIDS epidemic into a national allegory that forces audiences to see the crisis as a part of America’s history and conscience. (Savran, David. The Playwright’s Voice: American Dramatists on Memory, Writing and the Politics of Culture. Theatre Communications Group, 1999.) By combining personal stories with larger themes of justice and community, Kushner’s Angels in America helped audiences understand that the fight against AIDS was also a fight for human dignity.
Angels in America didn’t just talk about illness; it explored themes of politics and identity, making the AIDS crisis part of a larger more national issue Tony Kushner used the character Prior Walter to show both suffering and resilience of people living with AIDS. He connected his story to questions about justice and hope for the future. The play did not shy away from showing government neglect and prejudice, reminding audiences that the epidemic was shaped by social and political factors, just as much as by medicine. As critic John Lahr noted, “Kushner’s work gave shape to the inchoate fears and rage of a generation.” (Lahr, John. “Angels in America.” The New Yorker, 4 Jan. 1993.) By blending personal stories with a broader cultural issue, Angels in America helped audiences see that the AIDS crisis is not only a tragedy but as a call to empathy, activism, and change.
Overall, Rent and Angels in America showed how theatre can be a powerful tool to talk about illness, identity, and community. These works gave audiences a chance to see people living with AIDS as humans, friends, artists, and lovers. It showed these people with hopes and struggles, like the everyday person. Jonathan Larson’s Rent used music and emotion to highlight love and survival, while Tony Kushner’s Angels in America confronted politics and justice, making the epidemic part of America’s larger story. Together, these plays inspired social change and turned hardships into stories of resilience and hope. These plays continue to show how art can help communities to remember, heal, and take action.

